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For this mid-century furniture retailer in Brighton (UK) New York firm Ghostly Ferns chose the warmer side of modernism, using Eames Century Modern for the logo, Archive Antique Extended (roughed up wood type, similar to Hellenic Wide), and Cabin, a humanist sans inspired by Johnston and Gill. The…

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“1941: The Year That Keeps Returning is Goldstein’s astonishing historical memoir of that fateful year — when the Ustasha, the pro-fascist nationalists, were brought to power in Croatia by the Nazi occupiers of Yugoslavia.” — New York Review Books via Fonts In Use:…

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Created by artist Gordon Young, and designed in collaboration with Why Not Associates, the Comedy Carpet is a celebration of comedy on an extraordinary scale. Referring to the work of more than 1,000 comedians and comedy writers, the carpet gives visual form…

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Petter Eldin, a filmmaker living in China, recently made a series of films including Neville Brody and Niels Shoe Meulman’s work for Beijing Design Week. In October 2011, Converse proposed an unconventional approach to support China’s first-ever Design Week launching in Beijing….

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This beautiful signage instalation for Victoria & Albert Museum shows how far and contemporary can an aproach of the original logo go, while being so simple and close to it. It certainly reveals not only how smart the instalation is,…

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The Gibson family, available through Canada Type, is designed by Rod McDonald FGDC and produced by Patrick Griffin and Kevin King. It is made to honour John Gibson (1928-2011), a long-time friend of Rod, and one of the original founders of the…

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Ani Petrova, new member of LetterSoup, just wrote us telling us about Kardinal, her first ever font release. Get it with a super 90% OFF intro offer — 32 fonts for just $29.90 and two styles for free! Kardinal is a sans serif humanistic…

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